Skip to content

Tim Horton’s unaffected, heartfelt playing is perfectly judged

The Arts Desk, Graham Rickson

Howard Skempton: Man and Bat, Piano Concerto, The Moon is Flashing, Eternity’s Sunrise Roderick Williams (baritone), James Gilchrist (tenor), Tim Horton (piano), Ensemble 360 (First Hand Records)

I’ve enjoyed Howard Skempton’s music since hearing his orchestral processional Lento decades ago. It’s still available on the NMC label, and should be snapped up forthwith. You’ll be hooked. Then buy this new release, and John Tilbury’s collection of Skempton piano music. Man and Bat sets a poem by DH Lawrence, baritone Roderick Williams accompanied by piano, string quartet and double bass. Exactly how Skempton’s diatonic, tonal language sounds so fresh and new remains a mystery to me, the clipped piano chords of the opening exactly mirroring the narrator’s hesitant walking, the music taking wing when the titular mammal is found flying around his Florentine bedroom. Anyone who’s ever had to deal with an animal intruder will identify with what transpires, and this 25 minute work is funny, moving and gripping. Williams’s performance is terrific: this piece could become a popular classic. As could Skempton’s little Piano Concerto, heard here in a new piano quintet arrangement, the solo part unchanged. It’s incredibly affecting, the first section little more than a sequence of mellifluous chords.

Tim Horton’s unaffected, heartfelt playing is perfectly judged.

You’d love to hear him tackle some Feldman.

There’s also a chamber version of the song cycle The Moon is Flashing. Lawrence’s Snake forms the longest section, offset by two short texts. One is a sweet Valentine’s greeting from Skempton to his wife, followed by an irresistibly catchy setting of a poem by Chris Newman. Tenor James Gilchrist is winning, and it’s good to read his thoughts on the work in the booklet: “I have no idea why it works and hangs together… I think the audience on the first night was rightly stunned.” He’s correct – this music will enrich your life. The performances on this disc are uniformly excellent, Ensemble 360 closing proceedings with the Blake inspired chamber piece Eternity’s Sunrise. It’s engrossing. A superb anthology.

And in case you missed it...

Kaleidoscopic versatility

The Spectator, Richard Bratby Gabriel Fauré composed his song cycle La bonne chanson in 1894 for piano and voice. But…

An evocative, fine-tuned performance

The opening work, the Morceau de concert for horn and piano, was chiefly a way of spotlighting Ensemble 360’s wonderful…

Intimate chamber music of the highest rank

Seen and Heard International, Colin Clarke The Sheffield Chamber Music Festival continued with this superbly and intelligently programmed evening of…

This performance was thrilling

This performance was thrilling Bachtrack, Phil Parker Four Stars … It was, truthfully, a remarkable concert that will live long…

Every track brings satisfaction

Geoff Brown, The Times Four Stars Written a century and more later, the music composed by Huw Watkins is far…

Every track brings satisfaction

Every track brings satisfaction Geoff Brown, The Times Four Stars Written a century and more later, the music composed by…

A triumph for all concerned

Phil Parker, BachTrack ***** … the performances were a triumph for all concerned. … Performances [of Prokofiev’s Cello Sonata] are…

A triumph for all concerned

A triumph for all concerned Phil Parker, BachTrack ***** … the performances were a triumph for all concerned. … Performances…

Crisp capriciousness

The Strad, Edward Bhesania Edward Bhesania spends the afternoon of New Year’s Eve 2023 at London’s Wigmore Hall for some…

Crisp capriciousness

Crisp capriciousness The Strad, Edward Bhesania Edward Bhesania spends the afternoon of New Year’s Eve 2023 at London’s Wigmore Hall…

The incredible range and dynamism of the Trio Meister Raro

Carlisle Music Society, Carolyn Fyfe In November, a packed Fratry hall was treated to an evening of musical story-telling by…

The incredible range and dynamism of the Trio Meister Raro

Carlisle Music Society, Carolyn Fyfe

Ligeti in context: a superb centenary tribute

Bachtrack, Phil Parker When Ensemble 360’s oboist Adrian Wilson prefaced this performance of György Ligeti’s Ten Pieces for Wind Quintet by describing it as “notorious”…

Very precise touch … a masterly performance

The Arts Desk, David Nice Any chamber music festival that kicks off with Czech genius Martinů’s Parisian jeu d’esprit ballet-sextet La revue de cuisine and ends…

Very precise touch … a masterly performance

Very precise touch … a masterly performance The Arts Desk, David Nice Any chamber music festival that kicks off with Czech genius Martinů’s…

Stott and Horton deserved their standing ovation

Bachtrack, Phil Parker Joy amidst tears: Kathryn Stott and Tim Horton’s triumphant Rachmaninov … Kathryn Stott and Tim Horton played…

A booster shot of cultural optimism

The Spectator, Richard Bratby … For a booster shot of cultural optimism there’s always Sheffield, where the resident Ensemble 360…

Power and precision, then delicacy and dreams

Bachtrack, Steve Draper

Tim’s mellifluous tones sweeping over us

Peak Music Society What a wonderful way to spend a summer evening, listening to pianist Tim Horton at the Cavendish…

Lovely Litolff From The Leonore Piano Trio

Classics Today, Jed Distler

Hubert Parry’s Obscure-Yet-Worthy Piano Trios

Classics Today, Jed Distler

Raw noise and mixed emotions

The Times, Paul Driver

Leonore does Lalo

Classics Today, Jed Distler

Tim Horton shone

The Guardian, Alfred Hickling

Revelatory playing

The Observer, Stephen Pritchard
Back To Top