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A booster shot of cultural optimism

The Spectator, Richard Bratby

For a booster shot of cultural optimism there’s always Sheffield, where the resident Ensemble 360 launched its first post-plague Chamber Music Festival in the bearpit-like Crucible Studio. With the audience on all sides, the musicians have no choice but to be upfront.

Kathy Gowers (violin) and Rachel Roberts (viola) made Martinu’s fiendish Three Madrigals sound like the most fun two string players could have together, before the whole ensemble coalesced around pianist Tim Horton for a performance of Dvorak’s Piano Quintet that felt like one big smile.

And packed all around, silently urging them on, was an audience whose youth and diversity outstripped the most fevered imaginings of an Arts Council equality commissar. Elgar said it first, and he wasn’t entirely joking: ‘The living centre of music in Great Britain is not London, but somewhere further north’.

And in case you missed it...

Kaleidoscopic versatility

The Spectator, Richard Bratby Gabriel Fauré composed his song cycle La bonne chanson in 1894 for piano and voice. But…

An evocative, fine-tuned performance

The opening work, the Morceau de concert for horn and piano, was chiefly a way of spotlighting Ensemble 360’s wonderful…

Intimate chamber music of the highest rank

Seen and Heard International, Colin Clarke The Sheffield Chamber Music Festival continued with this superbly and intelligently programmed evening of…

This performance was thrilling

This performance was thrilling Bachtrack, Phil Parker Four Stars … It was, truthfully, a remarkable concert that will live long…

Every track brings satisfaction

Geoff Brown, The Times Four Stars Written a century and more later, the music composed by Huw Watkins is far…

A triumph for all concerned

Phil Parker, BachTrack ***** … the performances were a triumph for all concerned. … Performances [of Prokofiev’s Cello Sonata] are…

Crisp capriciousness

The Strad, Edward Bhesania Edward Bhesania spends the afternoon of New Year’s Eve 2023 at London’s Wigmore Hall for some…

The incredible range and dynamism of the Trio Meister Raro

Carlisle Music Society, Carolyn Fyfe

Ligeti in context: a superb centenary tribute

Bachtrack, Phil Parker When Ensemble 360’s oboist Adrian Wilson prefaced this performance of György Ligeti’s Ten Pieces for Wind Quintet by describing it as “notorious”…

Very precise touch … a masterly performance

The Arts Desk, David Nice Any chamber music festival that kicks off with Czech genius Martinů’s Parisian jeu d’esprit ballet-sextet La revue de cuisine and ends…

Stott and Horton deserved their standing ovation

Bachtrack, Phil Parker Joy amidst tears: Kathryn Stott and Tim Horton’s triumphant Rachmaninov … Kathryn Stott and Tim Horton played…

Power and precision, then delicacy and dreams

Bachtrack, Steve Draper

Tim’s mellifluous tones sweeping over us

Peak Music Society What a wonderful way to spend a summer evening, listening to pianist Tim Horton at the Cavendish…

Tim Horton’s unaffected, heartfelt playing is perfectly judged

The Arts Desk, Graham Rickson

Lovely Litolff From The Leonore Piano Trio

Classics Today, Jed Distler

Hubert Parry’s Obscure-Yet-Worthy Piano Trios

Classics Today, Jed Distler

Raw noise and mixed emotions

The Times, Paul Driver

Leonore does Lalo

Classics Today, Jed Distler

Tim Horton shone

The Guardian, Alfred Hickling

Revelatory playing

The Observer, Stephen Pritchard
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